Free as a bird: Lynette Yiadom-Boakye’s, First Flight (2015)
The sepia tone of the printing ink used in First Flight, a set of ten etchings of male heads (recently acquired with the invaluable help of The Friends of the Fitzwilliam), brings to mind the rich warmth of an old master drawing or an old photograph. Disparate references and associations are common in Yiadom-Boakye’s work and such diversity – created in…