Admission is by token, one per person, available at the Courtyard Entrance desk on a first-come first-served basis 30 minutes before the talk. Assisted hearing sets are available.
Meet in the Courtyard Entrance.
Meet in the Courtyard Entrance.
Meet in the Courtyard Entrance.
Meet in the Courtyard Entrance.
Admission is by token, one per person, available at the Courtyard Entrance desk on a first-come first-served basis 30 minutes before the talk. Assisted hearing sets are available.
Exhibition:
Jerusalem: Coinage and empire from antiquity to the 19th century
The veil uses chalk from the white cliffs of Dover, in an intervention that beckons forth notions of home, identity — and the presence of the room’s former occupant. Parker’s installation in the House for Actions currently remains on one of the windows in Helen’s bedroom.
Across four weeks in Autumn 2018 Kettle’s Yard presented a programme of quick-fire exhibitions, each lasting for only one week.
A recent body of work by artists Broomberg & Chanarin was shown for the first time in the UK in week three of fig-futures at Kettle’s Yard. Bandage the knife not the wound (2018) is an ongoing series of overlaid photographic prints produced by the artists in what they describe as a ‘visual exchange’.
Bring along your broken electrical items such as kitchen appliances, printers, laptops etc.
Book your item in by emailing cambridgerepaircafe@gmail.com
Please tell us what the item is and the problem with it. You can just turn up on the day too. The repairers are experienced and can fix most things but there are no guarantees.
About Louise Bourgeois
Louise Bourgeois (1911–2010) was born in Paris and lived and worked in New York from 1938. She is widely recognised as one of the most important figures of modern and contemporary art. Often biographical, Bourgeois’ work explores themes including childhood, family, motherhood and gender identity.
