Join University of Cambridge research fellow Nicola Kozicharow (History of Art), who will respond to the current Oscar Murillo exhibition and its themes.
FREE, come along.
No booking required.
Meet in the galleries 5 minutes before the talk begins.
The galleries are fully accessible. They are situated on the ground floor and can be accessed by stairs or a ramp from the entrance area.
Join Dr Jennifer Powell, Head of Collection and Programme in the galleries for a short introduction to Oscar Murillo violent amnesia. Find out more about the current exhibition.
FREE, come along.
No booking required.
Meet in the galleries 5 minutes before the talk begins.
The galleries are fully accessible. They are situated on the ground floor and can be accessed by stairs or a ramp from the entrance area
For centuries, the Iñupiat of northern Alaska have lived creatively with their Arctic landscapes and fellow Arctic inhabitants: responding to challenges, welcoming newcomers while throughout all remaining true to their traditions and values.
Travel back 580 million years and make your own sun catcher inspired by some of the earliest forms of life on our planet. Once you have made your sun catcher have a look at the beautiful examples of Ediacaran fossils in our new temporary display.
Artist: Unknown brings together for the first time an extraordinary selection of anonymous art and artefacts from the University of Cambridge’s renowned museums and collections.
With objects spanning centuries and continents, the exhibition weaves together often hidden histories of artistic production, collection, marginalisation and colonialism, to explore why these makers’ identities have been unrecorded or lost to history.
The miniatures can be seen in a special display in the Rothschild Gallery of Medieval & Renaissance Art (Gallery 32), where they are shown alongside other 16th- and 17th-century miniatures, including examples by Nicholas Hilliard.
The new work called We takes its inspiration from the proposal by Jean-Luc Nancy that “we are” - that we exist through relationship, coupled with a symbolic play on the letters used to denote electricity from which this work is made.
The work inside the Museum will be accessible during normal opening hours. The work outside the Museum will be lit up from 10am-10pm.
The University’s West Cambridge development has proved enormously fruitful for Cambridge Archaeological Unit (CAU), particularly the North West Cambridge site, now renamed Eddington. CAU has been digging on-site for almost 20 years and the extraordinary insights into the area’s prehistoric and Roman past, plus the many Anglo-Saxon, medieval and 20th century finds are of global archaeological significance.
This display celebrates this incredible work and represents the thousands of objects that have been found over the years.
The veil uses chalk from the white cliffs of Dover, in an intervention that beckons forth notions of home, identity — and the presence of the room’s former occupant. Parker’s installation in the House for Actions currently remains on one of the windows in Helen’s bedroom.
Across four weeks in Autumn 2018 Kettle’s Yard presented a programme of quick-fire exhibitions, each lasting for only one week.
A recent body of work by artists Broomberg & Chanarin was shown for the first time in the UK in week three of fig-futures at Kettle’s Yard. Bandage the knife not the wound (2018) is an ongoing series of overlaid photographic prints produced by the artists in what they describe as a ‘visual exchange’.
