The Fitzwilliam Museum, Sedgwick Museum of Earth Sciences, Whipple Museum of the History of Science, The Polar Museum, Museum of Archaeology and Anthropology, Museum of Classical Archaeology
Objects from across the University of Cambridge Museums as you've never heard them before...
Artwork, Digital Exhibition, Poetry, Shorthand, Spoken word
This piece concerns Mary Anning's Icthyosaur in the Sedgwick Museum. What stories of power and memory, gender and colonialism, could this ichthyosaur bring to life?
The Fitzwilliam Museum, Sedgwick Museum of Earth Sciences, Whipple Museum of the History of Science, The Polar Museum, Museum of Archaeology and Anthropology, Museum of Classical Archaeology
Objects from the University of Cambridge Museums as you've never seen them before...
Dr Susanne Turner, Curator at the Museum of Classical Archaeology, talks to us about a plaster cast taken from a carved marble head of the ancient Greek god Apollo.
Rebecca Virag talks about the making and meaning of a portfolio of lithographic prints which were commissioned by the British Government’s propaganda department in 1917.
‘This Globe is Broken’. A poem about how the globe as an object is not neutral. A response to the colonial 1875 Jigsaw Globe on display in the Whipple Museum’s Globe Gallery.
Behind the scenes on Facebook Live in the paper conservation studio with Harry Metcalf, Conservator of Works of Art on Paper, and Hannah Price, UCM Programme Coordinator.
Helen Ritchie, Research Assistant at The Fitzwilliam Museum, talks about samplers and the role they played for young women in the 17th and 18th century.
Game Designer Elizabeth Simoens invites Exhibitions and Display Coordinator at the Sedgwick Museum of Earth Sciences, Rob Theodore, to her island to visit the museum.
Ellen, a volunteer LGBTQ+ tour guide for the University of Cambridge Museums, talks about a statue representing Durga, found in the Museum of Archaeology and Anthropology.
Visit an online exhibition featuring two works sculpted nearly 500 years apart. Despite this, the materials, techniques, scale, and the idealisation of the male body are similar. Intrigued?
Enjoy an online exhibition featuring five colour lithographs and one etching by New Zealand artist Marian Maguire, who imagines how the passing millennia might have affected the traditional roles of the ancient Greek goddesses.
How do you make sure you pass successfully into the Ancient Egyptian afterlife? This Facebook Live video takes us to the Fitzwilliam Museum to visit the Book of the Dead of Ramose.
The Whipple Museum of the History of Science as an institution is not neutral. A response to the colonial 1875 Jigsaw Globe on display in the Museum’s Globe Gallery.